TINA BARNEY

BORN: New York, New York. 1945

RESIDES: Watch Hill, Rhode Island and New York, New York

EDUCATION: Sun Valley Center for Arts and Humanities, 1976-1979

Workshops with: Frederick Sommer, Roger Mertin, Joyce Niemanas,

Duane Michals, Nathan Lyons, John Pfahl, Robert Cumming

AWARDS & GRANTS: 2010 Lucie Award for Achievement in Portraiture

1991 John Simon Guggenheim Memorial Foundation, Artist’s Fellowship

 

PUBLIC COLLECTIONS:

 

Art Institute of Chicago

Baltimore Art Museum

Boise Gallery of Art, Idaho

Chase Manhattan Bank, N.A.

Cincinnati Art Museum

Columbia University, New York

Columbus Museum of Art, Ohio

Continental Corporation

Denver Art Museum

First Bank, Minneapolis

Goldman Sachs & Co.

Haggerty Museum, Marquette University, Milwaukee, Wisconsin

Harvard University Art Galleries, Cambridge, Massachusetts

Henry Art Museum, University of Washington

International Museum of Photography at George Eastman House

University of Kansas, Lawrence

La Jolla Museum of Contemporary Art

LaSalle National Bank, Chicago

Los Angeles County Museum of Art

Mead Art Museum, Amherst College, Massachusetts

Minneapolis Institute of Art, Minnesota

Morgan Stanley, New York

Museum of Fine Arts, Boston

Museum of Fine Arts, Houston

Museum Folkwang, Essen, Germany

Museum of Modern Art, New York

National Museum of American Art, Washington, DC

The New School, New York

Paul, Weiss, Rifkind, Wharton, & Garrison

Princeton University Art Museum

The Progressive Corporation

Prudential Insurance

Saint Louis Art Museum, Missouri

San Francisco Museum of Modern Art

Seattle Art Museum

Smith College Museum of Art

Smithsonian Institution

University of California, Long Beach

Whitney Museum of American Art

Yale University Art Gallery

 

SOLO EXHIBITIONS:

 

2011     Being Human: Portraits by photographers Emmet Gowin and Tina Barney

2010     “Parallel Perceptions.” David W. Koch Theater, Lincoln Center, NY

“Players,” Janet Borden, Inc., NY

2009     Kunsthalle Frankfurt

“The Portrait. Photography as a Stage”, Kunsthalle Wien, Austria

2008     Fay Gold Gallery, Atlanta, GA

2007     “China Visit,” Janet Borden, Inc., NY

“World Stage,” Gallery 339, Philadelphia, PA

2006     “The Europeans” Museum of Art, Salzburg

2005     “The Europeans,” Barbican Art Gallery, London

“Spain and Germany,” Janet Borden, Inc.

2004     “The French,” Janet Borden, Inc.

2003     Rencontres d’Arles, France

“Rehearsal Shots: Photographs by Tina Barney of The Wooster Group,”

Gale Gates, New York

“Theatre of Manners,” Holden Luntz 20th Century Master Photography

2002     Janet Borden, Inc., New York

Sheldon Memorial Gallery, St. Louis, Missouri

2001     Carol Ehlers Gallery, Chicago

2000     Janet Borden, Inc., New York

Galerie der Hochschule fur Grafik and Bruchkunst, Leipzig

Museum Centre Vaprikki, Tampere, Finland

Center for Photography, Universidad de Salamanca, Salamanca

1999     Columbus Museum of Art, Ohio

Nederlands Foto Institut, Rotterdam

Janet Borden, Inc., New York

Parrish Art Museum, Southampton, New York

Allentown Art Museum, Pennsylvania

“Familiar Records,” Kemper Art Museum, Kansas City, Missouri

Museum Folkweng, Essen, Germany (touring)

1998     Galerie Photo & Co., Turin, Italy

Janet Borden, Inc.

1997     Norderlicht Gallery, Groningen, The Netherlands

Janet Borden, Inc.

1995     Janet Borden, Inc.

Cokkie Snoei Gallery, Rotterdam, The Netherlands

1993     Janet Borden, Inc.

1992     Janet Borden, Inc.

1991     International Museum of Photography at George Eastman House,

Rochester, NY

1990     Museum of Modern Art, New York

Janet Borden, Inc.

Cleveland Center for Contemporary Art

1989     Denver Art Museum

Janet Borden, Inc.

Weber College, Ogden, Utah

1988     Tatistcheff Gallery, Los Angeles

John Good Gallery, New York

1987     Milwaukee Art Center

1985     Tatistcheff & Co., New York

 

SELECTED GROUP EXHIBITIONS:

 

2011     “150 Years Later: New Photography by Tina Barney, Tim Davis, and

Katherine Newbegin,” Vassar College, Poughkeepsie, NY.

“The Truth is Not in the Mirror,” Haggerty Museum of Art

2010     Ritratti del Portere/Portraits and Power. Firenze, Palazzo Strozzi,

“An Embarrassment of Riches,” Minneapolis Institute of Art

2009     “The Art of Caring,” New Orleans Museum of Art, New Orleans, LA

“The Portrait. Photography as a Stage” Kunsthalle Wien, Vienna

2008     “Captive Cultures,” Williams College Museum of Art, Williamstown, MA

“Role Models: Feminine Identity in Contemporary American Photography,”

National Museum of Women in the Arts, Washington, DC

2007     “Contemporary Connections: Face to Face,” Columbus Museum of Art

“Tell Me a Story: New Narrative Photography,” Museum of Photographic

Art, San Diego

2006     “So the Story Goes,” Art Institute of Chicago

“Click Double Click,” Haus der Kunst, Munich

“Click Double Click,” Palais des Beaux Arts, Brussels

Museum of Contemporary Photography, Chicago.

“In the Company of Old Masters,” Colnaghi Gallery, London

“Acting Out: Inventing Melodrama in Contemporary Photography,”

University of Iowa

“Acting Out,” State University of New York, Purchase

“Women by Women in Photography,” Cook Fine Art, New York

2005     “Fashioning Fiction,” The Museum of Modern Art, New York

2004     “The Family,” Windsor Gallery, Vero Beach, Florida

2003     “Stepping In & Out: Contemporary Documentary Photography,” Victoria

& Albert Museum, London

“The Great American Nude,” Bruce Museum, Greenwich, Connecticut

2002     “Double Vision: Photographs from the Strauss Collection,” University

Museum, California State University, Long Beach

“Settings and Players,” Prague City Gallery, Czech Republic

“Portraits,” Rena Bransten Gallery, San Francisco

“At Home,” Lennon, Weinberg, Inc., New York

2001     Settings and Players,” White Cube2, London

2000     “New York,” Museum of the City of New York

Carol Ehlers Gallery, Chicago

Howard Yazerski Gallery, Boston

“Insites: Interior Spaces in Contemporary Art,” Whitney Museum of

American Art at Champion, Stamford, Connecticut

1999     “Documentary Theater,” Joseloff Gallery, University of Hartford,

Connecticut

“New in the Nineties II,” Katonah Museum of Art, New York

“About Face,” Fraenkel Gallery, San Francisco

“The Nude in Contemporary Art,” Aldrich Museum of Contemporary Art,

Ridgefield, Connecticut

1998     Permanent Collection exhibition, Museum of Modern Art, New York

“Bathroom,” Thomas Healy Gallery, New York

Museum voor Fotografie, Antwerp

Scalo Publishing, Zurich

“Defining Eye: Women Photographers of the 20th Century,” Saint Louis

Art Museum, St. Louis, Missouri (traveling)

1997     Graham Gallery, New York

1996     “Making Pictures: Women in Photography 1975 - Now,” Nicole

Klagsbrun, New York

“Herkunft?” Fotomuseum Winterthur, Switzerland

“Babies,” Bravin Post Lee, New York

1995     Graham Gallery, New York

“Triennial,” Esslingen, Germany

“Love Flight of a Pink Candy Heart: A Compliment to Florine

Stettheimer,” Holly Solomon Gallery, New York

“Living with Contemporary Art” Aldrich Museum, Ridgefield,

Connecticut

“Portraits,” Hudson River Museum, Yonkers, New York

1994     “Family Lives: Photographs by Tina Barney, Nic Nicosia, and Catherine

Wagner,” Corcoran Gallery of American Art, Washington, DC

“A Sense of Place,” Elizabeth Leach Gallery, Portland, Oregon

“Who's Looking at the Family?” Barbican Art Gallery, London

Jayne Jackson Gallery, Atlanta

1993     “In and Out of Place,” Museum of Fine Arts, Boston

“Commodity Image,” International Center of Photography, New York

Cleveland Center of Contemporary Art

“Wings of Change,” Georgio, Beverly Hills, California

“Fictions of the Self,” University of North Carolina (traveling)

“In Camera,” Museum of New Mexico, Santa Fe

1992     “Multiple Exposure,” Wesleyan Univerity, Middletown, Connecticut

“The Invention of Childhood,” Kohler Art Center, Sheboygan, Michigan

1991     “This Sporting Life,” High Museum of Art, Atlanta, Georgia (traveling)

“Forbidden Games,” Jack Tilton Gallery, New York

“Pleasures and Terrors of Domestic Comfort,” Museum of Modern Art

“Imaging the Family,” Brown University, Provudence, Rhode Island

“The Realm of the Coin,” Hofstra University, Hempstead, New York

“Blood Relatives,” Milwaukee Art Museum

Houston Center for Photography

AFR Fine Arts, Washington, DC

Charles N. Moore Gallery, Philadelphia

1990     “The Art of Photography 1839-1989,” Seibu Museum of Art, Tokyo

“Identities: Portraiture in Contemporary Photography,” Philadelphia Art

Alliance

Thomas Segal Gallery, Boston

Middendorf Gallery, Washington

1989     “Recent Acquisitions,” Yale University Art Gallery, New Haven,

Connecticut

Aetna Gallery, Hartford

Dayton Art Institute

“The Photography of Invention,” Smithsonian Institution, Washington

San Francisco Cameraworks

1988     “Recent Acquisitions,” Museum of Modern Art, Dept. of Photography

“Cultural Participation,” Group Material Exhibition. Dia Art Foundation,

New York

“Fictitious Truth: Photographs,” Real Art Ways, Hartford

Inaugural Exhibition, Tatistcheff Gallery, Los Angeles

1987     1987 Whitney Biennial, New York

Squibb Gallery, Princeton, New Jersey

“Composed for the Photography,” Baltimore Art Museum

“American Dreams,” Ministry of Culture, Madrid, Spain

1986     “Relations,” Tatistcheff & Co., New York

“Artists Choose Artists,” CDS Gallery, New York

“The Real Big Picture,” Queens Museum, New York

Permanent Collection exhibition, Museum of Modern Art, New York

1985     “Humanistic Visions,” San Jose State University

1984     “The Lens in the Garden,” Hudson River Museum, Yonkers

“Children through Time & Light,” Light Gallery, New York

1983     “Big Pictures,” Museum of Modern Art, New York

 

SELECTED PUBLICATIONS:

 

2009     “Players,” Published by Steidl, Introduction by Michael Stipe

The Art of Caring,” New Orleans Museum of Art, New Orleans, LA

“Role Models: Feminine Identity in Contemporary American Photography,”

National Museum of Women in the Arts, Washington, DC

2006     “So the Story Goes,” Art Institute of Chicago

“Click Double Click,” Haus der Kunst, Munich

“Click Double Click,” Palais des Beaux Arts, Brussels

Museum of Contemporary Photography, Chicago.

“In the Company of Old Masters,” Colnaghi Gallery, London

“Acting Out: Inventing Melodrama in Contemporary Photography,” University

of Iowa

“Acting Out,” State University of New York, Purchase

“Women by Women in Photography,” Cook Fine Art, New York

2005     “Fashioning Fiction,” The Museum of Modern Art, New York

            The Europeans, Steidl. Monograph

Tina Barney: Social Studies. Film by Jaci Judelson (59 minutes)

2004     Portfolio, Contemporary Photography in Britain. #40, December 2004

2003     W, June

2002     Blink, Phaidon Press

2001     Settings and Players, White Cube 2

Double Vison: Photographs from the Strauss Collection, University Museum,

California State Unitversity, Long Beach

1999     Art on Paper, May-June.

“Male/Female,” Aperture #156.

Photographic Tableaux: Tina Barney’s Family Album. Essay by Catherine Evans.

Columbus Museum of Art.

1997     The Garden of Eden, Norderlicht, Groningen, The Netherlands

Doubletake, Fall.

Theater of Manners: Tina Barney. Monograph.

1995     The New York Times, April 28. Review by Charles Hagen.

Blind Spot, Issue Five.

BOMB Magazine, Spring. Interview by David Corey.

New York Magazine, April 14. Preview by Edith Newhall.

1994     Who's Looking at the Family? Valerie Williams. Barbican Art Gallery, London

Tilting at Space, The Photographs of Jan Groover. A Checkerboard Foundation film

1993     The New York Times. April 16. Review by Charles Hagen.

The Wall Street Journal. April 27. Review by Amy Gamerman.

The New Yorker, Preview by Ingrid Sischy

1992     Friends and Relations, Smithsonian Press. Monograph.

“People like Us,” Artforum. October 1992. Article.

1991     Swimmers. Collaborative book with Tina Howe. Friends of the Whitney Museum

Library. Book with nine original photographs.

Pleasures and Terrors of Domestic Comfort, Museum of Modern Art, New York

Interview Magazine, April.

New York Newsday, January 13.

Women Photographers, edited by Constance Sullivan. New York: Harry N. Abrams.

Artforum, November 1991. Review by Rhonda Lieberman.

1990     The New York Times, April 1. Profile by Andy Grundberg.

The New Yorker, March 19.

The Village Voice, April 10. Review by Vince Aletti

BOMB Magazine, Winter. Portfolio.

The New York Times, January 26. Review by Michael Brenson.

1989     The New York Times, May 26. Review by Roberta Smith

The Village Voice, May 30. Review by Vince Aletti.

The New Yorker, June 5.

Metropolitan Home, July.

Interview Magazine, June.

Smart Magazine, May - June

“Family Album,” The Phoenix's New Paper, Rhode Island.

New York Press, May 26.

1988     Los Angeles Times, December 9.

Hors. A Checkerboard Foundation film.

American Photographer, December.

The Village Voice, Februrary 23

Art in America, July. Review.

Connoisseur, March. Cover.

1987     The Whitney Biennial, Whitney Museum.

Mothers & Daughters, NY: Aperture, Inc.

American Dreams, Centro de Arte Reina Sofia, Spain.

1986     The New York Times, September 12.

Modern Photography, September.

1985     Arts Magazine, May.

  1. Art in America, October.

American Photographer, September.

Artweek, February 16.

1984     The Lens in the Garden, Catalogue.

The New York Times, May 8.

Modern Photography, July.

 

EDITORIAL WORK:

 

The New York Times

The Daily Telegraì¥Á5@    

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